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First-Year Seminar Classes Hit the Streets of Denver

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Madeline Phipps

Global Hip-Hop students take a graffiti tour of downtown Denver

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Students touring the streets of Denver

Imagine studying the cultural significance of “Buffy the Vampire Slayer� while touring a local cemetery. Or taking a class on the history of Buddhism, then visiting the Mayu Sanctuary to actually try meditating.

Imagine studying geography in the classroom, and then taking a trip to Red Rocks Park and Amphitheater to survey Denver from higher elevation, or learning about waste and sustainability by touring the Franklin Recycling Center.

For ³Ô¹Ï´ó±¾Óªâ€™s incoming freshmen, these experiences and others were one part of their introduction to college life.

Each first-year student registers for a first-year seminar (FSEM). The classes cover a variety of topics—from Beyoncé and millennial feminism to a journey through the fractal universe. The class first occurs during orientation week, and at the end of the week, students take a field trip related to their course topic.

Aaron Paige, visiting assistant professor at the Lamont School of Music, is teaching an FSEM called Global Hip-Hop. During the fall quarter, his students will learn about the sociocultural, economic and political significance of the musical style. “Students will engage in a series of collaborative projects with the local Denver hip-hop community throughout the fall quarter,� Paige says.

For their FSEM trip, the Global Hip-Hop students traveled to Denver’s RiNo district to view examples of the area’s graffiti. “The trip is also a way of introducing the students to hip-hop’s four elements—rap, Djing, breakdance, and graffiti—and to get them to start thinking about how these art forms are interconnected,� Paige explains.

Alex Gardner, a Denver DJ and break-dancer, led the tour and explained that studying the art helps contextualize hip-hop as a greater cultural movement. “It’s important to understand the context of the graffiti so we can understand why it depicts certain subjects,� Gardner said. “Graffiti can take on a variety of styles and forms—stickers, tags, burner pieces and lowbrow. It depends on the artist’s choice.�

One student, Liz DiLoreto, said she was interested in the class because she studied African-American culture and history during high school. “The coolest thing for me is to see the emergence of the culture — the people who started creating this kind of art and music,� she said.

Another student, Zane Taylor, said he was grateful for the opportunity to take a class about how culture and art affect society. “A lot of people disregard graffiti and pretend like it doesn’t exist,� he said, “but I think our generation is more understanding of this as an art form and thinks of it less as a destruction of property.�

After the graffiti tour, the students visitedÌý, a nonprofit—run by ³Ô¹Ï´ó±¾Óª alumna Jami Duffy—that pairs local musicians and producers with at-risk youth to create their own music. The students participated in a breakdance workshop and were introduced to the recording studio by producerÌý.